Watching Bhram one can feel the small screen format in place. Most of the characters and sets are even dressed up the way a television set is, not a grand 70mm movie set. The dialogues, at best are juvenile, with Fs and Bs and hard-ones thrown in for impact. Director Pavan Kaul doesn't open the cards at the very outset. You've to be alert to grasp things since the past and present move concurrently in the first hour, which, let's face it, tends to get confusing at times. It's only at the interval point that you exclaim, 'Okay, got it' and you look forward to the second hour with enthusiasm.